YOGYAKARTA

YOGYAKARTA (often also called Jogja, Yogya or Jogja) is located in middle of Java Island - Indonesia, where everything is cheap. It's enough with $ 20 per-day, you are able to stay over, eat famous authentic delicious food, and rental motor bike to explore the pure beaches and thousand of years old ancient temples.

A thousand years ago, Yogyakarta was the center of ancient Mataram Kingdom which was prosperous and high civilized. This kingdom built Borobudur Temple which was the biggest Buddhist temple in the world, 300 years before Angkor Wat in Cambodia. Some other relics are Prambanan Temple, Ratu Boko Palace, and dozens of other temples scattered throughout Yogyakarta. 

However, by some mysterious reason, Ancient Mataram Kingdom moved its central government to East Java in the 10th century. The magnificent temples were abandoned and partially buried by the eruption material of Merapi Volcano. Slowly, Yogyakarta region went back into the dense forest.

Six hundred years later, Panembahan Senopati established the Islamic Mataram Kingdom in the region. Once again, Yogyakarta became the witness of human history of a great Kingdom that ruled Java Island and its surrounding area. Islamic Mataram Kingdom was leaving a trail of ruins of fortress and royal tombs in Kotagede which recently is known as silver handicraft center in Yogyakarta. 

Giyanti agreement in 1755 divided the Islamic Mataram Kingdom into Kasunanan Surakarta be based in the city of Solo and Yogyakarta Sultanate which founded in Yogyakarta. Kraton (palace) still exists until today and is functioned as the residence of sultan and his family as well as hundreds of abdi dalem (the servant of the palace) who faithfully serve the palace voluntarily and run the tradition in the midst of changing times. At the palace, there are many cultural performances such as wayang kulit (puppet shadow play), gamelan (Javanese orchestra), and Javanese dance etc. 
Yogyakarta at present is a place where tradition and modern dynamics are going on together continuously. In this city, there is a palace which has hundreds of loyal servants to run the tradition, but there is also University of Gadjah Mada that is one of the leading universities in South East Asia. Some of its residents live in a strong agrarian culture. In the other side, there are also students who live with pop life-style. Traditional markets and handicraft centers are numerous in the city where some of them located by the malls which are no less hectic.
At the north end of Yogyakarta, you will see Mount Merapi stands proudly almost as high as 10,000 feet. This mountain is one of the most active volcanoes in Indonesia. The trace of its malignant of the 2006 eruption can be witnessed in the Village of Kaliadem, 30 km from the city of Yogyakarta. Mooi Indie style scenery of green rice field with Mount Merapi in the background can still be seen in the suburb area of Yogyakarta. 
In the southern part of Yogyakarta, you will find many beaches. The most famous beach is Parangtritis with its legendary figure of Nyi Roro Kidul (Queen of the South), but Yogyakarta has also many natural beautiful beaches in Gunung Kidul. You can see the Sadeng Beach which is an ancient estuary of Bengawan Solo River before the powerful forces lifted the surface of the southern part of Java Island so that the flow of the river turned to the north like today. You can also visit Siung Beach which has 250 channels of rock climbing, Sundak Beach and many many more
If Malaysia has the world's highest twin towers, Yogyakarta has Prambanan Temple with 47 meters tall and was made by hand about 1100 the previous years. If Singapore has modern life, Yogyakarta has traditional agrarian society. If Thailand and Bali have beautiful beaches, Yogyakarta owns natural beaches and Mount Merapi, which has a story of how powerful the force of nature is.
A unique combination of ancient temples, history, traditions, culture and natural forces make Yogyakarta a very worthwhile place to visit.

BALI-Indonesia

Bali is an indonesian island located in the westernmost end of the lesser sunda islands, lying between java to the west and Lombok to the east. It is one of the country's 33 provinces with the provincial capital at Denpasar towards the south of the island (strictly speaking, the province covers a few small neighbouring islands as well as the isle of Bali).
With a population recorded as 3,891,000 in the 2010 census, the island is home to most of Indonesia's small Hindu minority. In the 2000 census about 92.29% of Bali's population adhered toValinese Hinduism  while most of the remainder follow Islam. It is also the largest tourist destination in the country and is renowned for its highly developed arts, including tradional & modern dance, sculpture, painting, leather, metalworking, and music. Bali, a tourist haven for decades, has seen a further surge in tourist numbers in recent years.
Bali is renowned for its diverse and sophisticated art forms, such as painting, sculpture, woodcarving, handcrafts, and performing arts. Balinese percussion orchestra music, known as gamelan, is highly developed and varied. Balinese performing arts often portray stories from Hindu epics such as the Ramayana but with heavy Balinese influence. Famous Balinese dances include pendet, legong, baris, topeng, barong, gong keybar, and kecak (the monkey dance). Bali boasts one of the most diverse and innovative performing arts cultures in the world, with paid performances at thousands of temple festivals, private ceremonies, or public shows.
The Hindu New Year, Nyepi, is celebrated in the spring by a day of silence. On this day everyone stays at home and tourists are encouraged to remain in their hotels. On the day before New Year, large and colourful sculptures of ogoh-ogoh monsters are paraded and finally burned in the evening to drive away evil spirits. Other festivals throughout the year are specified by the Balinese pawukon calendrical system.

Balinese dancers wearing elaborate  headgear, photographed in 1929. Digitally restored.

Celebrations are held for many occasions such as a tooth-filing (coming-of-age ritual), cremation or odalan (temple festival). One of the most important concepts that Balinese ceremonies have in common is that of désa kala patra, which refers to how ritual performances must be appropriate in both the specific and general social context.  Many of the ceremonial art forms such as wayang kulit and topeng are highly improvisatory, providing flexibility for the performer to adapt the performance to the current situation. Many celebrations call for a loud, boisterous atmosphere with lots of activity and the resulting aesthetic, ramé, is distinctively Balinese. Often two or more gamelan ensembles will be performing well within earshot, and sometimes compete with each other in order to be heard. Likewise, the audience members talk amongst themselves, get up and walk around, or even cheer on the performance, which adds to the many layers of activity and the liveliness typical of ramé.

Stone carvings in Ubud.

Kaja and kelod are the Balinese equivalents of North and South, which refer to ones orientation between the island’s largest mountain Gunung Agung (kaja), and the sea (kelod). In addition to spatial orientation, kaja and kelod have the connotation of good and evil; gods and ancestors are believed to live on the mountain whereas demons live in the sea. Buildings such as temples and residential homes are spatially oriented by having the most sacred spaces closest to the mountain and the unclean places nearest to the sea.
Most temples have an inner courtyard and an outer courtyard which are arranged with the inner courtyard furthest kaja. These spaces serve as performance venues since most Balinese rituals are accompanied by any combination of music, dance and drama. The performances that take place in the inner courtyard are classified as wali, the most sacred rituals which are offerings exclusively for the gods, while the outer courtyard is where bebali ceremonies are held, which are intended for gods and people. Lastly, performances meant solely for the entertainment of humans take place outside the walls of the temple and are called bali-balihan. This three-tiered system of classification was standardized in 1971 by a committee of Balinese officials and artists in order to better protect the sanctity of the oldest and most sacred Balinese rituals from being performed for a paying audience.
Tourism, Bali’s chief industry, has provided the island with a foreign audience that is eager to pay for entertainment, thus creating new performance opportunities and more demand for performers. The impact of tourism is controversial since before it became integrated into the economy, the Balinese performing arts did not exist as a capitalist venture, and were not performed for entertainment outside of their respective ritual context. Since the 1930s sacred rituals such as the barong dance have been performed both in their original contexts, as well as exclusively for paying tourists. This has led to new versions of many of these performances which have developed according to the preferences of foreign audiences; some villages have a barong mask specifically for non-ritual performances as well as an older mask which is only used for sacred performances.
Balinese society continues to revolve around each family's ancestral village, to which the cycle of life and religion is closely tied. Coercive aspects of traditional society, such as customary law sanctions imposed by traditional authorities such as village councils (including "kasepekang", or shunning) have risen in importance as a consequence of the democratization and decentralization of Indonesia since 1998.